Hot diggity damn, what a movie month October turned out to be! With 28 new movies seen, it’s handily the most densely packed month since I started this series of blog posts. Netflix launching in Sweden certainly helped a bit, but it’s also a simple case of film once again rising above other pastimes of mine, as it tends to do sooner or later. Summer was a down-period; now I’m back into the swing of things again.
But it’s not just quantity that makes October a great month for film. The vast majority of what I watched these last 31 days has been good. Only three films failed to make my passing grade of 3/5, which is pretty impressive. It got to the point where I started second-guessing myself: “Can I really give another movie a positive mark? Shouldn’t I give out a low score to show some kind of… I don’t know.” In the end, I feel like I’ve been fair to every movie I’ve seen. Except the Bergman one, but we’ll get to that soon enough.
The Magdalene Sisters (Peter Mullan, 2002)
Structurally, this is familiar prison/asylum/escape stuff. It’s competently made for sure, and certainly not boring. That said, it doesn’t bring anything new to the table plot-wise. It is notable, however, for bringing cruelties performed by certain members of the Catholic church to the public consciousness. Young women were sent off to asylums to become, in effect, slave laborers indefinitely. Why? Because they sinned. They flirted with boys, or had children out of wedlock, or were raped. While being based on a true story is never a free pass for a movie to be considered important or anything, it does lend this one a certain weight it might not otherwise have had.
3/5
Conan O’Brien Can’t Stop (Rodman Flender, 2011)
A bit repetitive at times, and not a very revelatory look at Conan O’Brien, but it – and its subject – has enough energy and drive to make for a fun watch. I haven’t seen any of O’Brien’s work other than the occassional clip here and there online, and I’m not sure I learned much about him here other than what the title reveals.
3/5
Faster (George Tillman Jr., 2010)
I’m sure I wasn’t the only one who went into this one expecting a straight-forward frantic action flick. That’s not what Faster is. It’s a revenge thriller with only sporadic scenes of gunplay and driving antics. For what it is, it works quite well. I was particularly fond of the attempts at characterization of the main players, with all three getting some unexpected depth added to them. The ending kind of flies in the face of what led up to it though, which is a bit of a shame. Still, this is a decent movie, and I’m actually vaguely curious now to see what else the director has made.
3/5
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Tags: 25th Hour, Aaron Schneider, Alicia Silverstone, Amy Heckerling, Anthony Hopkins, Bakjwi, Barry Avrich, Batman: Mask of the Phantasm, Bruce Timm, Chan-wook Park, Chasing Ghosts: Beyond the Arcade, Christopher Walken, Clean Shaven, Clueless, Conan O'Brien, Conan O'Brien Can't Stop, Devil's Playground, Do the Right Thing, Douglas Aarniokoski, Drew Goddard, Emma Thompson, Eric Radomski, Faster, Fearless, George Tillman Jr., Get Low, Greg Spence, Harvey Weinstein, Henry Bean, Hour of the Wolf, Hunger, Ingmar Bergman, Inside Man, James Ivory, Jeff Bridges, Juan Carlos-Pineiro Escoriaza, Kang-ho Song, Kazuo Ishiguro, La piel que habito, Låt den rätte komma in, Let the Right One In, Lincoln Ruchti, Lodge Kerrigan, Lucy Walker, Mike Nichols, Mill Murray, Morgan Spurlock, Ok-bin Kim, Pedro Almodovar, Peter Mullan, Peter Weir, Rob Zombie, Robert Duvall, Rodman Flender, Roger Ebert, Roman Polanski, Rosie Perez, Ryan Gosling, Sebastian Gutierrez, Second Skin, Shannyn Sossamon, Simon West, Sissy Spacek, Spike Lee, Steve McQueen, Sven Nykvist, The Believer, The Cabin in the Woods, The Day, The Devil's Rejects, The Expendables 2, The Graduate, The Greatest Movie Ever Sold, The King of Kong: A Fistful of Quarters, The Magdalene Sisters, The Pianist, The Prophecy II, The Remains of the Day, The Skin I Live In, Thirst, Unauthorized: The Harvey Weinstein Project, Vargtimmen, Women in Trouble
Time to set the time machine to 2001, a year that like many others had a great deal of great films to offer. There’s a nice mix to be had with this list, I think. Sure, it leans slightly towards comedy as my lists tend do – although there’s nothing here that i’d classify strictly as a laugh-out-loud type of movie – but there is some international variety. USA, France, Spain and Norway are all represented in one way or another.
I don’t normally do honorable mentions for these lists, but I do need to give a shout-out to The Lord of the Rings: The Fellowship of the Ring. The trilogy as a whole is a remarkably ambitious cinematic accomplishment which does such a great job of bringing the world of the novels to life. Both The Two Towers and The Return of the King barely missed out on spots on their respective year lists. The Fellowship of the Ring – my personal favorite of the three – was sitting at #9 on this list at first draft. Then along came a movie I hadn’t seen before (#7), and Fellowship got bumped down. And then I realized a teriffic film I thought belonged to 2000 was actually released in 2001 (#2), and just like that, Fellowship dropped off. So an honorable mention goes out to that film and, by extension, the entire Lord of the Rings trilogy.
On to the list proper. As always, this is 2001 as listed on IMDB to avoid confusion with international release dates.
10 – HUMAN NATURE (Michel Gondry)
“Remember: when in doubt, don’t ever do what you really want to do.”
The most overlooked of the films written by Charlie Kaufman, Human Nature is a movie of many questions about – of course – human nature. What’s fun is the strange ways in which it goes about asking them. The central characters are a scientist (Tim Robbins) trying to teach mice to have a formal dinner, a man (Rhys Ifans) who grew up in the wilderness thinking himself to be an ape, and a woman (Patricia Arquette) who voluntarily abandoned civilization as an adult due to feeling out of place because of her thick body hair. This story proves to be a good fit for Michel Gondry, here making his feature film debut and immediately establishing his unique style – how many directors would go with a sudden Disney-esque song number in a film like this? Human Nature is both funny and thought-provoking, and it deserves more attention than it tends to get.
9 – A KNIGHT’S TALE (Brian Helgeland)
“Now that I got their attention, you go and win their hearts.”
Wikipedia describes this as an action-adventure film. This is false. A Knight’s Tale is very much a sports movie, with all the familiar story elements and tropes associated with the genre. It just so happens to take place in medieval times, with the sport in question being jousting. What makes the film stand out even more is the anachronistic music. Here we have a dance scene in at the royal court set to David Bowie’s “Golden Years”, and joust audiences clapping along to Queen’s “We Will Rock You”. Heath Ledger makes for an effective protagonist, Shannyn Sossamon is as radiant as ever as his love interest, and Paul Bettany and Alan Tyduk as comedic sidekicks take turns to steal the movie. Often hilarious, always feel-good. A Knight’s Tale never fails to put a smile on my face.
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Tags: A Knight's Tale, Abre los ojos, Alan Tyduk, Alejandro Amenabar, Amelie, Audrey Tautou, best films of 2001, Brian Helgeland, Cameron Crowe, Cameron Diaz, Charlie Kaufman, Donnie Darko, Elling, Emma Thompson, Ghost World, Heath Ledger, Human Nature, In the Bedroom, Jake Gyllenhaal, Jason Lee, Jean-Pierre Jeunet, Le fabuleux destin d'Amélie Poulain, Michel Gondry, Mike Nichols, Open Your Eyes, Patricia Arquette, Paul Bettany, Penelope Crus, Per Christian Ellefsen, Petter Næss, Rhys Ifans, Richard Kelly, Scarlett Johansson, Shannyn Sossamon, Sissy Spacek, Steve Buscemi, Sven Nordin, Terry Zwigoff, The Fellowship of the Ring, The Lord of the Rings, The Lord of the Rings: The Fellowship of the Ring, The Others, Thora Birch, Tim Robbins, Todd Field, Tom Wilkinson, Vanilla Sky, Wit
Where my 2006 list featured lots of comedies and my 2005 one had a disproportionately high number of documentaries, this one doesn’t really feature any remarkable trends. Indeed, as great as all the films on this list are, perhaps the most noteworthy thing about these ten is what a homogeneous collection it is. All of them are fictional movies, and they could all be said to be American (though three are by directors from other countries, and a fourth takes place solely in Europe). As I’ve said before, I make no concious effort to either infuse or stamp out variety in these lists of mine. It just so happens that my favorite films of 2004 just happen to be these ones. And there is at least genre diversity within the specific subgroup here, with drama, comedy, action, animation and romance all getting their time in the spotlight.
As usual, this is 2004 strictly as listed on IMDB (which is the reason why there can be two Best Picture Oscar winners on here). And it’s merely a list of my favorite films, and nothing more than that.
10 – THE INCREDIBLES (Brad Bird)
” ‘Greater good’? I am your wife! I’m the greatest good you are ever gonna get!”
This is my favorite Pixar film, and a large part of it is due to its relatable characters. Sure, the family of superheroes all have their superpowers, but their problems are all human and recognizable, from Mr. Incredible’s longing for his old glory days in the spotlight to his shy daughter Violet’s feelings of inadequacy. Having a bunch of cool action sequences helps too, of course.
9 – CRASH (Paul Haggis)
“That’s good. A little anger. It’s a bit late, but it’s nice to see.”
Some love it, some hate it. I’m among the former. Crash‘s strength doesn’t lie in what it has to say about racism (someone in my Twitter feed once suggested that’s it’s actually less about that than about grace). Rather, what I appreciate in this film is the power of its individual scenes, helped along by strong performances by Michael Peña, Matt Dillon, Thandie Newton and others.
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Tags: 2004, Adam McKay, Alexander Payne, Anchorman, Anchorman: The Legend of Ron Burgundy, Before Sunset, best films of 2004, Brad Bird, Clint Eastwood, Clive Owen, Closer, Crash, David Carradine, Eternal Sunshine of the Spotless Mind, Ethan Hawke, Hilary Swank, Jim Carrey, Jude Law, Julia Roberts, Julie Delpy, Kate Winslet, Kevin Bacon, Kill Bill, Kill Bill: Vol. 2, Matt Dillon, Michael Peña, Michel Gondry, Mike Nichols, Million Dollar Baby, Morgan Freeman, Natalie Portman, Nicole Kassell, Paul Giamatti, Paul Haggis, Pixar, Quentin Tarantino, Richard Linklater, Sideways, Thandie Newton, The Incredibles, The Woodsman, Thomas Haden Church, Tom Stern, Uma Thurman, Wake Up Ron Burgundy: The Lost Movie
If you’re anything like me, you’re always on the lookout for more films to add to your already-too-large list of movies to watch. However, if you’re anything like me, you’re also very active in your pursuit. You read forum threads, blogs, critics lists of great films and so on. You’re already aware of most of the big blockbusters, most of the year’s critical darlings and everything inbetween. Finding new stuff gets harder and harder. Everybody knows of The Dark Knight. All but the most casual moviewatchers know of Memento. And while the average Joe might not be the slightest bit aware of foreign films like Oldboy or American indies like Winter’s Bone, a movie nut like you already saw them a long time ago. Twice. They’re hardly obscure among film fanatics.
But then there are the films that nobody ever talks about. The casual movie watcher never heard of them. The movie nuts skimmed them over. The critics reviewed them and forgot about them a month later. They rarely if ever pop up in online discussions, or blog posts, or anywhere.
And yet they’re movies I found myself really enjoying for various reasons. So if you’re looking for more movies to add to your watch list, you could do a hell of a lot worse than these 15 films from the past decade.
CASHBACK (Sean Ellis, 2006)
After a bad break-up, art student Ben (Sean Biggerstaff) suffers from insomnia. Not knowing what to do with all his extra free-time, he takes a nightshift job at a supermarket where he discovers he can freeze time at will.
Cashback is a delightfully funny British comedy. Ben’s new co-workers is a colorful bunch that all get their shots at providing laughs, whether it’s his overbearing boss, the kung fu expert or the juvenile slackers. The time-stopping thing mentioned above is not a gimmick the movie uses to base all its jokes and plot around. Rather, it provides time for Ben to reflect on how he views the world, his situation and the women around him. There’s plenty of monologues and flashbacks to flesh out his character, which makes for a nice counterpoint to the movie’s more humorous side. Also featured is a fairly touching romance developing between him and co-worker Sharon (Emilia Fox), as well as plenty of gratuitous nudity. So there’s something for everyone!
THE RULES OF ATTRACTION (Roger Avary, 2002)
Here’s another comedy, but one very different from the humor Cashback provides. The Rules of Attraction follows a couple of college students as they embark on various short-lived romances. Bisexual Paul (Ian Somerhalder) is attracted to bad boy Sean (James Van Der Beek), who’s pursuing the virgin Lauren (Shannyn Sossamon), who’s saving herself for Victor (Kip Pardue), who’s on a crazy vacation to Europe, and so on. But while there’s plenty of sex and partying going on, this is not your typical college sex comedy. This is comedy of the black kind, where every joke is punctuated with the despair and lack of direction that’s plaguing its protagonists’ generation. The characters are not likeable, but then they were never meant to be. It’s the second part of that sentence that differs The Rules of Attraction from most post-American Pie films in its genre.
The film is based on a novel of the same name, penned by American Psycho author Bret Easton Ellis. The book (featuring a very rambling and at times incohorent tone and multiple narrators, none of them reliable) is one that you’d never think could work as a movie when you read it. Director Roger Avary (co-writer of Pulp Fiction) magically pulls it off, though. Highlighting the comedy yet never losing sight of the darkness, he comes up with plenty of clever and unusual solutions on how to present the haphazardly compiled events of the plot. It’s a captivating and isolated world we get to visit, one that will probably make you laugh as much as it makes you feel filthy.
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Tags: 2000s, Andreas Wilson, Angela Bettis, best movies you haven't seen, Brad Anderson, Bret Easton Ellis, Campbell Scott, Cashback, Chris Santos, Doug Bruce, Dylan Kidd, Eagle vs Shark, Elling, Emma Thompson, Evil, Happy Accidents, Ian Somerhalder, James Van Der Beek, Jan Guillou, Jason Alexander, Jemaine Clement, Jesse Eisenberg, Kevin Bacon, Kip Pardue, Kyra Sedgwick, Loren Horsley, Lucky McKee, Marisa Tomei, Mark Brian Smith, May, Michael Shannon, Mikael Håfström, Mike Nichols, Mos Def, Nicole Kassell, Ondskan, Overnight, Per Christian Ellefsen, Petter Næss, Pierre-Paul Renders, Ray Romano, Roger Avary, Roger Dodger, Rupert Murray, Sasha Grey, Sean Biggerstaff, Sean Ellis, Shannyn Sossamon, Steven Soderbergh, Sven Nordin, Taika Waititi, The Boondock Saints, The Girlfriend Experience, The Grand, The Rules of Attraction, The Woodsman, Thomas est amoureux, Thomas in Love, Tony Montana, Troy Duffy, Unknown White Male, Vincent D'Onofrio, Werner Herzog, Wit, Woody Harrelson, Zak Penn